As director Bruce LaBruce points out to The Age, having his latest movie L.A. Zombie – part porn, part arthouse – banned by the Australian Classification Board is the best single bit of promotion he could possibly have just before the movie’s worldwide premiere at next month’s Locarno Film Festival in Switzerland.
In his own words: ‘I’ll never understand how censors don’t see that the more they try to suppress a film, the more people will want to see it. It gives me a profile I didn’t have yesterday.”
Richard Moore, director of Melbourne International Film Festival which won’t now be screening the movie, adds that “it’s nonsensical and patronising to not allow people to decide what they want to see.”
And of course the vast majority of viewings of L.A. Zombie will be on a TV or computer screen, so refusing to allow the movie to screen at Australian film festivals won’t affect that many people, but it will boost DVD sales significantly, meaning more people will watch it than had it not been banned. Nonsensical? Yes!
The version of L.A. Zombie – or 28 Gays Later – given to the Australian censor was a ’softcore’ version with all the hardcore gay sex removed – the most sexually graphic thing in it was a “cucumber-shaped” prosthetic penis “with a scorpion’s stinger” and a couple of full-frontals. There will, however, be a hardcore version.
L.A. Zombie stars French gay porn star François Sagat as an alien zombie who turns up in modern day L.A. with a thirst for bloody corpses and gay sex. He combines the two and goes on a rampage through the city, literally fucking dead guys back to life.
It’s deliberately shlocky and tongue-in-cheek and LaBruce makes another good point that “(the censors) pass so many mainstream films that have the most extreme violence, with brutal treatment towards women, and torture and dismemberment, but because they didn’t show a penis, they can be screened with impunity.’’