With it’s comic and touching portrayal of an alternative family thrown together unexpectedly and seeking to establish some kind of ‘normality’, Patrik Age 1.5 is bound to draw close comparisons with The Kids Are All Right and right-wing commentators will likely bundle the two movies together as evidence of an onslaught against the ‘traditional family’, but this gay movie was actually made two years ago and is only now getting a much deserved international roll-out.
This time the parents are a thirty-something, gay, married male couple – gay marriage being legal in their native Sweden. Sven and Göran seemingly have it all – successful careers; plenty of a money; a big house in the suburbs – but there’s one thing lacking in their perfect homo home life: a baby.
Hard-drinking Sven has been down this road before: he has a hostile teenage daughter from his first marriage to Eva and tries to hide his reservations by throwing himself into work and hitting the bottle. Family doctor Göran, on the other hand, is ready to embrace fatherhood with open arms and busies himself preparing the nursery while they await news of a placement from the adoption service.
Their hopes of starting a young family get a big knock back when Social Services informs them no country is willing to give up a child to a gay couple. More desperate than ever, the two men indicate they would consider any child, but a mix up with the paperwork results in a big surprise and 15-year-old juvenile offender and major homophobe Patrik on their doorstep, expecting to be taken in.
The refreshing thing about this gay film is that it’s evolved beyond the typical portrayals of confused sexual identity and coming out tribulations – this gay couple is just another couple trying to cope with parenting and the drama comes from the tensions between the two men and young Patrik, who’s like a match to Sven’s touchpaper, sending him over the edge with gleeful tales of first-hand queer-bashing.
The downside to painting Patrik as an institutionalised youngster with a history of knife crime is that his likely behaviour and state of mind can never be realistically portrayed in such a warm-hearted and rosily-shot comedy drama – gritty realism this ain’t. So we get sudden, occasional bursts of foul, offensive language and remarks from Patrik, as if the filmmakers have remembered the character’s backstory, until Göran quickly finds the teen’s gentler side by way of a shared interest in gardening.
Yes this gay movie is often predictable and as warm and fuzzy as a microwaved teddy, but once you get past the implausibility of the set-up, you’ll easily be engaged by the sympathetic acting and sharply funny moments. There is also some social comment on the wider acceptance of gay couples within communities – most of us, I’m sure, can identify with the awkward introductions and school-age name-calling and doorbell ringing from local rugrats.
Above all Patrik, Age 1.5 is a sweet, funny and positive film and although the main characters’ sexuality is integral to the story, the movie should appeal to anyone with a heart and an open mind.